supported by 6 fans who also own “For Brittney Mae”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
supported by 6 fans who also own “For Brittney Mae”
Mesmerizing riffage, cometary improvisations, and a sharp rhythm section guiding the reins … there’s no nonsense to the production, but the variety of squeals, squalls, and cyclical melodic phrasings bends the album away from simplicity. You kinda want to see just what is happening to these guitars. It's earned many listens in my lockdown space, a noble achievement in a time when new music temptations are relentlessly hitting us sideways. MDonaldson (8sided.blog)
This album by Kenyan electronic producer rPH and poet Kins of Spade reflects on the impact of religion in their lives and society. Bandcamp New & Notable May 12, 2023